Kiss Me You Fool

Kiss Me You Fool

Thursday, May 7, 2026 · 7:00 PM

Piehouse Co-Op

213-214 Edward Place

London


A warm spring evening of live sound, visuals and shared space, from 7 pm till late. Expect experimental electronics, bass, techno and harder rhythms. Asian food is served throughout. Zines, self-published work and merch available. Workshops and open sessions alongside the music. Come for a set or stay all night.

☆*:.。. o(≧▽≦)o .。.:*☆

m-onz is an algorithmic audio visual artist and founder of genre[fatigue]

p3b3 is a musician, producer, and live artist from Bordeaux. With a background in percussion and jazz, he creates groovy, sunlit techno influenced by old-school pumping tribe and 90s/00s hardtek. Blending Bordeaux’s electronic scene with free party culture, he improvises and experiments freely, making his music both engaging and human.

Xuanni_space has been active in the southern Chinese underground music scene since 2013. Starting from free improvisation with violin, her setup has evolved over the years into a Digitakt, a no-input mixer, and a Nintendo 3DS running DSN-12 — a synthesiser based on the MS-10 circuit design. She feeds signals into the mixer to generate feedback, letting unstable loops produce patterns she couldn't have planned. The DSN-12 lays in acid melodies. Her live sets collapse rave energy and noise into the same moment.

Klamm draws from thumping Hard House to grinning growling Acid Techno to Pumping Tribe to create a sonic space you can have a ponder and get settled into a nice bop.

MSO is a project by Mathias Obrzut, a multimedia artist working across still and moving image, sound, and graphic design. His work explores our interaction with the natural and artificial environment, examining the impact of technology on culture. A unique background in physics motivates his goal of bringing the subjects of art and science closer together, aiming to uncover new possibilities of representation.

CYAN Yanyi Chen is a filmmaker, DJ and illustrator. Their work focuses on filmmaking and sound as practices of place-making and resistance. Their sets draw from 70s Cambodian rock, electronic, breakcore, and y2k nostalgic futurism.

By Piehouse Co-Op