Mouthpiece and Trail Shoes: nnscya and Wong Winsome Dumalagan
Thursday, May 7, 2026 · 7:00 PM – 10:00 PM
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For their first ever performance in London, nnscya and Wong Winsome Dumalagan, two exceptional artists active in Hong Kong's vibrant art and performance scenes, will appear together at South London's Eat the Sunshine . Down the Sun.
Annisa Cheung aka nnscya will present a solo sound-based performance, followed by a screening of Wong Winsome Dumalagan's recent film The Vault of the Cloven Void 歇息日後，籬笆倒塌的園. Both artists will then bring their skills together in a collaborative performance. Finally, curator Edward Sanderson and the artists will chat about the works and their Hong Kong context.
We are grateful to Eat the Sunshine . Down the Sun (etsdts) for hosting this event. etsdts is an artist-run café/space in Kennington and we encourage you to support them by purchasing their (really) tasty food and refreshing drinks.
Doors open: 19:00
Performance starts: 19:30
(The cafe will be open throughout)
(Please note that the venue is in the basement and access involves stairs)
Book early to avoid disapppointment. Only 25 tickets available!
Tickets £10
📸 poster design by Wong Winsome Dumalagan / nnuu
---
Live Set:
nnscya
Screening:
Wong Winsome Dumalagan
Live collaboration set:
nnscya + Wong Winsome Dumalagan
Artists sharing with the curator
Curated by escdotdot
Annisa Cheung aka nnscya:
Bandcamp: https://nnscya.bandcamp.com/album/pie
IG: https://www.instagram.com/nnscya/
Website: https://nnscya.com
Known as nnscya, Ching-yu Annisa Cheung is a composer, musician, and singer. Her work spans various musical genres, drawing influence from experimental music, industrial noise, classical orchestral, and alternative pop. Past works include installations, dance, and short film soundtracks, as well as chamber and orchestral composition. Inspired by daily trivia, she explores the crossroads of vibration and senses, sound and emotions, as in lived experiences, memories, and the tactility of the body, through her works.
張靜瑜以 nnscya 的身份發表音樂。他的作品受實驗音樂、工業噪音、古典管弦樂，以及另類流行音樂影響，跨越音樂類型的邊界。過往作品函蓋裝置、舞蹈及短片配樂、室樂、管弦樂。他觀察日常瑣事，如生活經驗、記憶和觸覺萃取當中微小的訊號，探索當中有關震動與感知、聲音與情感的交錯。
Wong Winsome Dumalagan:
MV by nnscya, directed by Wong Winsome Dumalagan: https://www.youtube.com/watch?v=pk6910mEQKM
IG: https://www.instagram.com/wsome_wd/
Website: https://www.winsomewongd.com
Wong Winsome Dumalagan’s practice revolves around videography, images, and installations, often rooted in the cultural contexts she traverses. She delves into understanding places, roots, and mobility, exploring how everyday narratives of people, nature, and objects construct knowledge, through both planned and serendipitous encounters. With videos and images she captured or collected from those she encountered, she sculpts and layers visuals, and often incorporates discarded household items, inexpensive and sometimes flawed materials, to create temporary spaces that are continuously reconfigurable, probing the boundaries of representation in both imagery and material.
⿈慧⼼的實踐以錄像､ 影像和裝置為主 並且經常源⾃她所經歷的⽂化脈絡｡ 透過有計劃或偶然的旅程和相遇 她試圖理解地⽅､ 根源和流動性探索⼈､ ⾃然與物件的⽇常敘事如何構建知識｡ 她以⾃⼰拍攝或從遇到的⼈所收集得來的錄像和圖像作為原材料雕刻和層疊影像並經常同時以廢棄的家居⽤品､ 廉價或有瑕疵的材料建構出可以不斷重組的臨時空間思考影像與物質在再現上的界限｡
Dr Edward Sanderson 李蔼德 aka escdotdot
Dr Edward Sanderson is a writer and curator researching non-mainstream sonic culture in China. They received their PhD from the Academy of Visual Arts, Hong Kong Baptist University in 2022. Sanderson is also building an archive of experimental sound and recently curated the museum survey, It Always Sounds Somewhere: Sounding Sound Practice in Chinese Mainland and Hong Kong Since the 1990s at the Beijing Inside-Out Art Museum. Together with Ingrid Pui Yee Chu, they co-curated Sounds Like Print (2023) and its associated programming, including several project commissions, conversations, and live performances for Tai Kwun Contemporary in Hong Kong.
Annisa Cheung aka nnscya will present a solo sound-based performance, followed by a screening of Wong Winsome Dumalagan's recent film The Vault of the Cloven Void 歇息日後，籬笆倒塌的園. Both artists will then bring their skills together in a collaborative performance. Finally, curator Edward Sanderson and the artists will chat about the works and their Hong Kong context.
We are grateful to Eat the Sunshine . Down the Sun (etsdts) for hosting this event. etsdts is an artist-run café/space in Kennington and we encourage you to support them by purchasing their (really) tasty food and refreshing drinks.
Doors open: 19:00
Performance starts: 19:30
(The cafe will be open throughout)
(Please note that the venue is in the basement and access involves stairs)
Book early to avoid disapppointment. Only 25 tickets available!
Tickets £10
📸 poster design by Wong Winsome Dumalagan / nnuu
---
Live Set:
nnscya
Screening:
Wong Winsome Dumalagan
Live collaboration set:
nnscya + Wong Winsome Dumalagan
Artists sharing with the curator
Curated by escdotdot
Annisa Cheung aka nnscya:
Bandcamp: https://nnscya.bandcamp.com/album/pie
IG: https://www.instagram.com/nnscya/
Website: https://nnscya.com
Known as nnscya, Ching-yu Annisa Cheung is a composer, musician, and singer. Her work spans various musical genres, drawing influence from experimental music, industrial noise, classical orchestral, and alternative pop. Past works include installations, dance, and short film soundtracks, as well as chamber and orchestral composition. Inspired by daily trivia, she explores the crossroads of vibration and senses, sound and emotions, as in lived experiences, memories, and the tactility of the body, through her works.
張靜瑜以 nnscya 的身份發表音樂。他的作品受實驗音樂、工業噪音、古典管弦樂，以及另類流行音樂影響，跨越音樂類型的邊界。過往作品函蓋裝置、舞蹈及短片配樂、室樂、管弦樂。他觀察日常瑣事，如生活經驗、記憶和觸覺萃取當中微小的訊號，探索當中有關震動與感知、聲音與情感的交錯。
Wong Winsome Dumalagan:
MV by nnscya, directed by Wong Winsome Dumalagan: https://www.youtube.com/watch?v=pk6910mEQKM
IG: https://www.instagram.com/wsome_wd/
Website: https://www.winsomewongd.com
Wong Winsome Dumalagan’s practice revolves around videography, images, and installations, often rooted in the cultural contexts she traverses. She delves into understanding places, roots, and mobility, exploring how everyday narratives of people, nature, and objects construct knowledge, through both planned and serendipitous encounters. With videos and images she captured or collected from those she encountered, she sculpts and layers visuals, and often incorporates discarded household items, inexpensive and sometimes flawed materials, to create temporary spaces that are continuously reconfigurable, probing the boundaries of representation in both imagery and material.
⿈慧⼼的實踐以錄像､ 影像和裝置為主 並且經常源⾃她所經歷的⽂化脈絡｡ 透過有計劃或偶然的旅程和相遇 她試圖理解地⽅､ 根源和流動性探索⼈､ ⾃然與物件的⽇常敘事如何構建知識｡ 她以⾃⼰拍攝或從遇到的⼈所收集得來的錄像和圖像作為原材料雕刻和層疊影像並經常同時以廢棄的家居⽤品､ 廉價或有瑕疵的材料建構出可以不斷重組的臨時空間思考影像與物質在再現上的界限｡
Dr Edward Sanderson 李蔼德 aka escdotdot
Dr Edward Sanderson is a writer and curator researching non-mainstream sonic culture in China. They received their PhD from the Academy of Visual Arts, Hong Kong Baptist University in 2022. Sanderson is also building an archive of experimental sound and recently curated the museum survey, It Always Sounds Somewhere: Sounding Sound Practice in Chinese Mainland and Hong Kong Since the 1990s at the Beijing Inside-Out Art Museum. Together with Ingrid Pui Yee Chu, they co-curated Sounds Like Print (2023) and its associated programming, including several project commissions, conversations, and live performances for Tai Kwun Contemporary in Hong Kong.
By escdotdot
MV by nnscya, directed by Wong Winsome Dumalagan